He was, and will always be, a literary master.
On May 15th, 2012 in Mexico City, Mexican author and recipient of countless awards Carlos Fuentes died. Fuentes was one of the foremost representatives of the Latin American literary “boom.” When his novel La region mas transparente was first published on April 7th, 1958, public and critics alike established they had encountered a work that would leave an indelible impression in Mexican and world literature.
Carlos Fuentes wrote it all and said it all. He brought his readers into his narrative world even as he charted it. With the passing of time, the topography of this map—known as “La edad del tiempo” (The Age of Time)—changed, and its boundaries expanded until the inclusion of his last novel Federico en su balcon, soon to be published by his editorial house Alfaguara.
Carlos Fuentes’s work was not solely narrative; his oeuvre includes essays as well. In May of this year, Taurus will publish El siglo que despierta, a series of conversations between Carlos Fuentes and Ricardo Lagos; and in June, Alfaguara will publish Personas, an “inventory” of figures relevant to Mexico and the world—and to Fuentes himself.
Carlos Fuentes was born in 1928. A renowned intellectual and one of the foremost exponents of Mexican narrative, his vast body of work includes novels, short stories, plays, and essays. He was the recipient of numerous awards, among them: The Miguel de Cervantes Prize, 1987; the Ruben Dario Cultural Independence Order, granted by the Sandinista Government, 1988; the Instituto Italo-Americano Prize for Gringo viejo, 1989; the Principe de Asturias Award of Spain, 1994; Italy’s Cavour Award, 1994; UNESCO’s Picasso Medal, France, 1994; France’s Legion of Honor Award, 2003; the Roger Caillois Award, 2003; the Royal Academy of the Spanish Language Prize for En esto creo, 2004; the Cristobal Gabarron Foundation’s International Literature Prize, 2011, and the Formentor Literature Prize, 2011.